Tasting at a busy wine fair is hard. Where to go, what to taste? Did I miss something mindblowing amidst the crowds? A tall, rather statuesque lady with impressive dreadlocks grabs my attention. I offer my best/only Portuguese “Posso provar os vinhos brancos?”, she retaliates with a stream of Spanish. I catch the word “Galicia” and little else. The owner of the dreads is Laura Lorenzo, Daterra Viticultores, Galicia.
“It’s oxidised” – how many times have I heard this statement, when talking about orange wines? Even amongst wine professionals, the misconception often prevails. Most of us are very visual creatures – confronted with what we’re told is ostensibly a white wine, and a darker russet brown, golden yellow or downright orange colour, it can be hard to shake off the thought that the wine is in less than prime condition.
Rossidi winery is the brainchild of Edward and Rosie Kourian, who make wine together with their friend and consultant winemaker Peter Georgiev. Rossidi are one of a very few producers in Bulgaria who are daring, playful and savvy about what 21st century consumers might like – Eddie’s character runs through everything from his self-confessed “extravagant” satorial style to the beautiful self-designed labels. I tried their wines at a large tasting in Plovdiv last October. They were a breath of fresh air amongst many rather clumsy, oak-monsters.
Some varieties take to skin maceration like a duck to water. Malvasia Istriana is one of those, and there are a handful of producers in Croatia’s “Northern Tuscany” who are exploiting this quite delightfully -Giorgio Clai, Kabola and Benvenuti are the ones I’ve discovered so far.
Lukas Plöckinger picks me up in Eisenstadt at 6.30am prompt, on a chilly October morning. Lukas is the winemaker and vineyard manager at Weingut Tinhof, in Austria’s red wine heartland Burgenland, and he’s my teacher today as I pop my grape-picking cherry. Why am I doing this? Because I’m hoping that a day’s physical immersion